Mackenzie Frere lives and works in Calgary, Alberta, Canada. His handwoven, contemplative cloth has been exhibited in
Canada, China, Japan and Korea. His writing has appeared in “Artichoke Magazine,” “Craft News" (a publication of the
Nova Scotia Designer Craft Council) and recently in
Craft Perception & Practice: A Canadian Discourse Vol III. He
received his education at the Alberta College of Art & Design in Calgary (BFA 1998) and the Nova Scotia College of Art
and Design University in Halifax, Nova Scotia (MFA 2005). Presently, Mackenzie is teaching courses in the fibre arts at
the
Alberta College of Art + Design, weaving in his studio and curating exhibitions for Poplar ArtCraft, an online gallery
of emerging visual artists.
exhibitions
solo
immaterial beauty
February March 2005     Master’s Thesis Exhibition, Anna Leonowens Gallery, NSCAD University, Halifax, Nova Scotia

tract 2
July August 1996     Marion Nicoll Gallery +15 space, Centre for Performing Arts, Calgary, Alberta

soak
March 1996     Marion Nicoll Gallery, Alberta College of Art & Design, Calgary, Alberta

selected group exhibitions
profiles in fibre
May 2007     Heritage Weavers Guild, Artpoint Studios, Calgary, Alberta

next - emerging Canadian textile graduates
Sept Nov 2006     Uncommon Objects Space, Harbourfront Centre, Toronto Ontario

profiles in fibre
June 2006     Heritage Weavers Guild, Artpoint Studios, Calgary, Alberta

instructors’ show
June 2006     HWSDA Conference, Heritage Inn, High River, Alberta

arrivals/departures
January 2005     Master’s Group Exhibition, Anna Leonowens Gallery, NSCAD University, Halifax, Nova Scotia

the 3rd natural dyeing biennale in aichi
November 2004     Aichi Prefecture Museum, Nagoya, Japan

from lausanne to beijing 3rd international fibre art biennale
November 2004     Shanghai Library Conference and Exhibition Centre, Shanghai, China

sutra     Curated by Tosca Killoran
September 2004     Alternative Space, Hap Gallery, Ohoo Building, Seoul, South Korea

plot
January 2004     Master’s Group Exhibition, Anna Leonowens Gallery, NSCAD University, Halifax, Nova Scotia

the 2nd natural dyeing biennale in aichi
September 2002     Aichi Prefecture Museum, Nagoya, Japan

context
February 1999     Devonian Gardens Art Gallery, Calgary, Alberta

aberration     with Derek Waite & Angela Yee
January 1999     Stride Gallery, Calgary, Alberta

earth stone ceramics glass, international craft exhibition
October 1998     Museum of Arts Crafts Itami, Itami, Japan

pursuit
January 1999     Illingworth Kerr Gallery, Alberta College of Art & Design, Calgary, Alberta

teaching
Alberta College of Art & Design
instructor
winter 2008     fibre 3D, introduction to weaving, multi-harness weaving

feb + march 2008  
   knitting in the studio: a contemporary textile art (extended studies)

november 2007     finishing techniques for handweavers

october 2007     Cloth Dyeing & Painting (substitute instructor)

feb + march 2007     
knitting in the studio: a contemporary textile art (extended studies)

fall 2006     Cloth Dyeing & painting

October 2005
    Introduction to Weaving and Directed Studio (substitute instructor)


NSCAD University
instructor
Spring 2005     Nature Dyeing Workshop and Independent Studio, Textiles

Fall 2004     Nature Dyeing Workshop

Winter 2003
    NSCAD Continuing Education Children’s Classes (grades 4 to 6)

research assistant
Spring 2004 and 2005     Dr. Sandra Alfoldy, Craft Historian and NSCAD U professor

teacher’s assistant
Fall 2003 to Winter 2005     Intermediate Weaving, Textile Studio and Visual Culture


instructor
1997 to 2000     Adult and children’s classes in weaving and natural dyeing, The Fiber Hut, Calgary, Alberta

other activities
curator, Poplar ArtCraft online gallery of emerging artists http://poplarartcraft.mackenziefrere.com
September 2006 to present

moderator + contributor, ArtClothText, blog for fibre artists http://artclothtext.blogspot.com
August 2007 to present

Lecturer, “Same Difference: Three Contemporary Textile Artists”
June 2006     Handweavers, Spinners and Dyers of Alberta Provincial Conference, High River, Alberta

Instructor, Nature Dyeing Workshops
June 2006     Handweavers, Spinners and Dyers of Alberta Provincial Conference, High River, Alberta

writing
“immaterial beauty” (excerpt), “Review: ‘The Parting Glass’ the work of Sara Washbush”
in Craft Perception & Practice, ed. Nisse Gustafson + Amy Gogarty, Ronsdale Press, coming November 2007

“Expanding Intimacy”, “Profile: Michele Hardy” + “Review: Meta Incognita”
fibreQuarterly Canada, vol. 3, Issue 2, http://fiberquaterly.velvethighway.com

"(im)material beauty" (excerpt)
Artichoke Magazine, Summer 2005, Vol. 17, No. 2, pp 34-37

“Review; Acadian Root Baskets of Atlantic Canada”
Nova Scotia Craft News, a publication of the Nova Scotia Designer Craft Council, Winter 2005/2006, pp 18-19

“What is ‘Is there love in art?’”   5163, NSCAD University Alumni Magazine, Winter 2005/2006, pp 26-29

awards
joseph beuys memorial scholarship   2005     NSCAD University, Halifax, Nova Scotia

louise mckinney heritage trust fund scholarship   1997 & 1996     Alberta College of Art & Design, Calgary, Alberta

mollie mabie memorial award   1996     Alberta College of Art & Design, Calgary, Alberta

philomela award for innovative work in textiles   1995     Alberta College of Art & Design, Calgary, Alberta
mackenzie frère
© mackenzie frère
last updated november 22, 2007